Throwback Thursday Review: RE-ANIMATOR (1985)

RATED- Unrated
RUN TIME- 104 Mins
WRITER(S)- H.P. Lovecraft, Dennis Paoli, William Norris, and Stuart Gordon
STARRING- Jeffrey Combs, Bruce Abbott, and Barbara Crampton
DIRECTOR- Stuart Gordon



Synopsis taken from IMDb
A dedicated student at a medical college and his girlfriend become involved in bizarre experiments centering around the re-animation of dead tissue when an odd new student arrives on campus.




I honestly never see the point in reviewing films past a certain age. I mean, who wants to read a review about a film from 30 years ago that we've all already seen dozens of times over by now? Not a lot of people, including myself. I usually only post reviews on old movies if I've just watched them for the first time, otherwise I've got no interest. However, with this Throwback Thursday going on, I figured it would be a cool chance for me to get the opportunity to review older films that I hold dear to me, and that I've had no point in reviewing up until now. So, from here on out (at least until this Throwback Thursday thing dies) I'll be posting a review to a throwback movie.

I first found 'Re-Animator' six or seven years ago while talking to a movie buff at a flea market. He told me how I was "missing out" and how I need to see it sooner than later. After hearing all of his hype for the film, I went to the mall and bought the nicest copy of the DVD that I could find, in hopes that I wouldn't hate it and it'd be as good as he (and many others) have said. My DVD came with a cool needle accessory that kinda sold me on the whole thing. When I got home that evening, I watched it and was blown away. I really had been missing out!

Raise your hand if you have this cool edition. I do.

I watched the film twice in a row, followed by all the bonus stuff. I even went looking online for action figures, in which there's none and that still bothers me. Do you know how many people would want to own a Herbert West figure? I know I would! That being said, I became an instant fan of the film, and I saw it's appeal. And I truly believe that if you're a true fan of the genre, the appeal of this movie is obvious. It takes you back to a time when horror was fun, and not just about how cruel, extreme, brutal, and daring it can be.

"I gave him life!" The gore fest that is 'Re-Animator' starts with one of the best horror film openings ever. Instantly, you know what your in for after only watching about three or four minutes. You know from the jump what kind of movie it is, and if you'll like it within that short span of time. Then not to mention the 'Psycho' rip-off theme for the opening credits. Funny thing is, I never really placed that the opening theme was a total knockoff until I listened to the commentary and heard director Stuart Gordon mention it jokingly.

"It's very much like peeling a large orange."

Just about all of the characters are likable, even Dr. Hill played by the late David Gale. When Herbert West (Jeffrey Combs) constantly challenges Dr. Hill, you know things aren't going to end well for one of them, and as it turned out, it didn't go well for either of them. In the end their egos get the better of them and it costs them both dearly. While other cast members weren't as charismatic on screen as Combs' and Gale's characters, everyone offered something great that added to the movies brilliance. Bruce Abbott did a great job at playing the grounded and relatable Dan Cain.
And his girlfriend Meg, played by the lovely Barbara Crampton is the only one in the film who seems to be thinking with a clear head. I mean, she warns Dan about letting Herbert move in, and compels him to think before he acts, but to no avail. And of course there's some Crampton nudity that made every horror fanboy (including myself) find a second love for the movie.

You'd take your chances re-animating her too, right?

But more about Herbert now. He's the weirdo you want to be. He's the rebel in a sense, and the cool kid, even though he's a total creep. It's amazing how even the weirdos can be the heroes if you give them good character story and find a good actor to play the part. Although Jeffrey Combs is a phenomenal actor and has done many different kind of roles, he'll always be Herbert West. He put a face on a character loved by many, there's no going back from that. And what a lovely way to be remembered.

One particular scene that I've got to mention is when Meg's cat is found in Herbert's refrigerator and is later re-animated in the basement. It's one of the cruelest scenes I've seen in horror films, and while I am a cat lover, I can't help but laugh hysterically when it gets spiked on the wall after attacking Dan and Herbert. It's one of the best scenes in the film both because you get to see that Herbert's serum does work, and because you get to see the aftermath of his madness, much like in the opening scene of the film. But more importantly, it's when Herbert really gets a grasp on Dan, and things go downhill quickly.

Scenes like this are why I consider "Re-Animator" to be "Pet Sematary" on drugs.

I really like how although it's labeled a zombie film, that they're not typical shoot-'em-in-the-head-zombies. The dead do come back to life, but they have senses and memory even. That's just one of the many things different about this film than most, and why it still stands as a juggernaut today in the genre. Creativity goes a long way.

After the crude beheading by Herbert, Professor Hill reclaims his head in a hilarious scene and steal Herbert's work to make an army of the undead of his own. This of course, leads to one of the most memorable scenes in horror film history, and easily the best scene to come from 'Re-Animator': the "head" scene with Meg and Professor Hill. It's so creepy and gross, yet comedic and entertaining. It's so gross you have to watch! I actually learned on one of the commentaries that Barbara Crampton found out someone at a convention she was at was selling photos from that particular scene, and she went over to the guy and took his pile of photos of her he was selling. I guess if the shoe was on the other foot, I wouldn't want to be known mostly for a scene like that, and I wouldn't want people flaunting it around. But you can't deny what a great scene it is, and what a legend Crampton has become because of the overall quality of her performance in the movie.

If ever a poster summed up the awesomeness of the movie, it's this one.

I also learned that at the end, when Hill's army of re-animated start raising hell on Herbert, Dan, and Meg, that there was a lot of re shooting and/or editing (can't remember which) done because of the fact that there was such an abundance of male genitalia. Small things like that get a laugh out of me. I can only imagine how hard it was to have so many naked men in front the camera and not get too many gratuitous shots. But they rocked it, and the end result works just fine. Just the simple things you run into while filming a movie that you wouldn't think of. Pretty hilarious.

Nothing like a little finger food...

The ending is expected, but it wouldn't have been such a great film without it. There are so many iconic and memorable scenes from this movie that if I were to mention them, I'd have to describe the full movie from beginning to end and basically write the screenplay (laugh). Truth is, 'Re-Animator' is an ageless film that will be talked about forever. It was a groundbreaking film when it came out, and it still lives up to its name and reputation in present time. It has a fantastic sense of humor, and regardless of how old or outdated the FX are, it's an endearing film. There was no cgi of any sort.
I appreciate movies back then more than ones today because they didn't have the option of cheapening out and taking the short cut of computer effects. No, what you see is what you get 100%, and no cgi can ever change the authenticity older films have, and that newer films will never have. It's one of the greatest horror comedies of all-time, and genius film making in an unappreciated genre.

4 stars out of 5

YOU'RE NEXT is a modern horror masterpiece

RATED- R
RUN TIME- 94 MINS
WRITER(S)- SIMON BARRETT
STARRING- SHARNI VINSON, JOE SWANBERG, AND AJ BOWEN
DIRECTOR- ADAM WINGARD



Synopsis taken from IMDb
When the Davidson family comes under attack during their wedding anniversary getaway, the gang of mysterious killers soon learns that one victim harbors a secret attack for fighting back.

I know, I know, I'm a bit late on this one. Sorry for the delay, I'm just simply backed up with stuff to watch, including screeners. I got back from seeing this film last night, and I left the theater talking about it, and smiling. It actually cracks me up whenever good motion pictures like this hit, and are a big deal amongst the horror community. Because, it shows all the people out there ignorantly boasting about horror being dead, that it's clearly not. Yeah, there's been a lot of bad horrors this year, films that didn't live up to their expectations, like "The Purge". 

But, however you look at it, there's been a good amount of good horror films made this year. With "Evil Dead", "The Conjuring", and "You're Next" all doing well at the box-office, and going over well with the majority of genre fans, I'd say horror is kicking and screaming. The list goes on, we've got "The Lords of Salem", and "Hatchet III" to include as well. But, let's move on to the film at hand here...

"You're Next" is a brilliant breath of fresh air! Yeah, it's a home invasion movie, and there's others like it. That doesn't matter, as long as the movie manages to mix things up and go to new places, which this motion picture does. Though this took two years to finally hit the big screen and get the theatrical release it deserved, it is more than well worth the wait! 

It begins with a slow, yet explosive opening that instantly sets the mood for the whole duration. There is nothing pretty about it, it's just very gritty and balls to the wall horror. And it manages to stay entertaining and not go too far into the realism to the point where it takes the viewer out of the picture, or becomes uncomfortable to watch. Being totally honest, with all the hype buzzing around this one, I was really worried that I'd be the oddball and not like it. That's not the case.

Aside from being fresh and hip, the film manages to be smart and sexy, and completely enjoyable. Best thing of all is that it's not predictable. The characters are well crafted and genuine, which does make the brutality of it a little unnerving but, that's the freaking point! I'm completely impressed overall. Not to mention that Barbara Crampton (Re-Animator) is in it and looks as beautiful as ever! 

Wilmington Delaware's own Ti West, director of "The House of the Devil" and "The Innkeepers", plays a quick role as Tariq. I found it amusing because his character is an exaggerated version of himself, pretty much. 

The thing that stands out the most about this movie, that really makes it a winner, is the fact that we're given the best female heroine since Jamie Lee Curtis' performance as Laurie Strode from the original John Carpenter classic from 1978, "Halloween". Sharni Vinson (Bait 3D) plays Erin, a bad-ass chick who can more than handle her own. She's smart, tough, and totally believable. On a side note, I'd like to mention that I like how there is backstory added in to explain how she's such a strong woman. Without that tidbit, her character wouldn't have held up as well.

Aside from the acting and characters, the story doesn't let up once it starts. It's just non-stop, in-your-face entertainment. I've got to commend Adam Wingard for not overusing gore. This film is kept grounded in the sense that it doesn't become unbelievable due to the amount of blood used. It's used where necessary. And the kills are both inventive, and things we've seen before. Even so, they're all bloody well done, no pun intended.

As the story plays out, everything comes into light and we realize that the killers actually have a motive, unlike 2008's "The Strangers", in which this film is often compared. And, the plot twists are on point, and keep you glued to the screen. It's heart pounding thrill after thrill, with plenty of jumps. Lastly, what I noticed and really appreciated about this movie, is that the scares aren't given away and made predictable with the music. "You're Next" just jumps out and grabs you! It's the best film of it's kind in recent memory.