Showing posts with label The Shining. Show all posts
Showing posts with label The Shining. Show all posts

Tuesday, September 24, 2013

THE BEST STEPHEN KING FILM ADAPTATIONS by Brandon Engel


NOTE FROM GRIMM:
The following post was intended to be posted Saturday on Stephen King's birthday. However, it's late on my end due to lack of internet connection the past few days. 



On the 21st, Stephen King will be turning 66, and by the looks of it, he’s still going strong. Sure, the famed horror author has attempted to retire in the past, and the injuries he sustained after being hit by a vehiclist has made it physically difficult for King to sit and write for extended periods of time. Nevertheless, King has forged ahead. Dr. Sleep, the long awaited sequel to The Shining, will be released just days after his birthday, on the 24th. Not only that, but a second film version of King’s Carrie will hit theaters just a week before Halloween, on October 18th. The new film will star ChloĆ« Grace Moretz, the young scene stealer from Kick-Ass and Kick-Ass 2. We can hope, too, that if Dr. Sleep proves successful, it too will eventually make the jump to big screen. King’s work has a long history of film adaptations inspired by his novels.

Here’s a look at some of the best film adaptations of King’s writings:

 The Shining (1980) 



It’s true, Stephen King himself was not a fan of this film. He felt that the work downplayed the supernatural elements of the the story in order to highlight Jack Torrance’s insanity. And King felt that even Jack Torrance’s descent into madness was botched - since Jack Nicholson had already built a reputation playing mad men, Stephen King felt audiences would easily predict where the plot was going. But despite King’s complaints, and the lukewarm critical reception the film received upon it’s first run, and the fact that the film wasn’t entirely faithful to the book (i.e., there are no supernatural hedge animals in the film, and Jack Torrance’s death is switched from a heated boiler room to the freezing hedge maze), the movie is heralded today as one of the best horror films of all time. The film features many memorable scenes: the rotting old lady in the bathtub; the mutilated twins in the hallway; the blood pouring out of the elevator. Fans of the supernatural aspect will be delighted to know that Dr. Sleep will feature young Danny Torrance grown up, still using his abilities on a daily basis.

Christine (1983)


Forget Herbie. The most memorable living car came from Christine. Only Stephen King could write a story about a murderous, possessed car without producing something accidentally laughable. However absurd the premise may sound, Christine works, and the red and white bloodthirsty Plymouth is truly terrifying. It’s a testament to King’s popularity, the film was already in production prior to the book’s initial release. Kevin Bacon was originally offered the lead role in the film, but he opted to star in Footloose instead. King revisited this trope in later works, but they’re hardly worth viewing; Trucks and Maximum Overdrive don’t really stand up to this tale of a serial killer vehicle.

Misery (1990) 


Misery marked the beginning of an excellent working relationship between Stephen King and Kathy Bates. The book follows an author, Paul Sheldon, played by James Caan, who survives a car crash only to be kidnapped by an obsessed fan, Annie Wilkes, played by Bates. Annie then hides the author in her home in order to torture him and she forces him to write for her. Kathy Bates did such a phenomenal job of playing the terrifying, stalkerish Annie that King began to write roles specifically for Bates. Another notable collaboration between the two was the film Dolores Claiborne, starring Bates in the titular role as a New England woman who murdered her abusive husband to protect her daughter.

The Green Mile (1999) 


This one is a bit of a departure from the rest of the list, as it’s hard to classify as a horror film, since both the novel and movie have the tendency to tug on heart strings. Regardless, this is one of the most emotionally complex and enriching pieces of writing from King, and it translated to the screen beautifully. Then, John Coffey, played by Michael Clarke Duncan, opens his mouth, a swarm of bugs pours out, and we remember that he’s on death row and two little girls have been raped and murdered. The Green Mile induces a fear quite similar to Misery, a fear that spurs from the wrongdoing of other people, and the horrible unfairness that can get someone killed. The film was an important one also for Tom Hanks, who played prison guard Paul Edgecomb. Edgecomb discovers both Coffey’s innocence and his supernatural abilities, but cannot save him from his unfortunate fate.

Carrie (1976) 


Carrie not only shot Stephen King into the limelight, it was also the first film Brian De Palma directed. Sissy Spacek originally played Carrie, the geeky telekinetic who falls for a grotesque practical joke at the hands of her high school classmates. In an extreme response to her humiliation, Carrie destroys the town using her newfound powers. Carrie in the book was described as being overweight, but in typical Hollywood fashion both Sissy Spacek and ChloĆ« Grace Moretz are more appealing to the camera. While Piper Laurie offered a harrowing performance in the original film as Carrie’s mother, Margaret White, the new film has Julianne Moore filling in for Laurie (and rumor has it that Jodie Foster was initially considered to play the part.) We have to wonder whether the film will follow it’s predecessors twist on the ending - leaving the parents alive to grieve - or if the second version will return to the book’s original ending which saw Carrie’s entire town burned to the ground.

Author Bio: Brandon Engel is an entertainment blogger with DirectTVcomparison.com whose interests include vintage pulp novels and black and white horror films. Among his favorite authors are Arthur Machen, Stephen King, Oscar Wilde, and H.P. Lovecraft.

Tuesday, August 20, 2013

ROOM 237 will blow your mind




RATED- UNRATED
RUN TIME- 102 MINS
WRITER(S)- RODNEY ASCHER
STARRING- BILL BLAKEMORE, GEOFFREY COCKS, AND JULIE KEARNS
DIRECTOR- RODNEY ASCHER



Synopsis taken from IMDb
A subjective documentary that explores the numerous theories about the hidden meanings within 'Stanley Kubrick (l)' 's Kubrick' 's film The Shining (1980). The film may be over 30 years old but it continues to inspire debate, speculation, and mystery. Five very different points of view are illuminated through voice over, film clips, animation and dramatic reenactments. Together they'll draw the audience into a new maze, one with endless detours and dead ends, many ways in, but no way out.

   

Again, I don't usually review documentaries because it's hard to judge them as films, seeing as they're meant for more educational value than entertainment. I had to make an exception with this one though.

I didn't even know it was possible to like "The Shining" even more, but guess what? After watching this, I most certainly do! This has got to be the most in-depth documentary on a film I have ever seen! And the stuff you learn both about the movie and Kubrick can actually be jaw-dropping. The second the documentary ends you want to watch the film and look for all the hidden things spread throughout.

I've actually been doing my research, and went on to find more videos and articles on Kubrick's film, that's taken me in even deeper. I've never walked away from a documentary wanting to learn more, except for this one. It's absolutely fascinating! All the people who say that "The Shining" has flaws, need to watch this. It may not pull you into liking the film, but it will absolutely make you see the film in a new light.



There's a lot of hidden meaning, messages and images throughout the film, that you can't help but be enthralled finding out what some of it means. So much knowledge! I truly know now, that the film is a masterpiece, not just from my own opinion, but from knowing how flawless it is. Everything is intentional and has a meaning and purpose.

Finding out that Kubrick had an IQ of 200, and read up on subliminal messaging was when I knew "The Shining" would be laced with things right in front of our faces that we've probably never seen. And I was right. Kubrick also went to advertising corporations and got tips on their methods of subliminal images and messages. He really did his research, and then packed his film with stuff that people still haven't deciphered or discovered.

Also, in this documentary, it's brought to your attention of how obvious it is that the film is about Native Americans being slaughtered. There's a lot of history and politics involved in the subliminal underlining of the movie, that you really catch on to and see how obvious it is.



I appreciate that this documentary has such insightful people exploring the film's messages for us and making them obvious. It really does just put everything in a new light. I'm not going to go further into things that are discussed, I'm not spoiling anything because it's something you need to experience on your own. I mean, they even go into what Jack's typewriter means. Trust me, you'll never watch "The Shining" the same way again. 






Thursday, April 18, 2013

"The Shining" prequel "The Overlook Hotel" is in development!




The Overlook Hotel is the story of the grisly murders that happened in the hotel leading up to the events in the classic 1980 The Shining. This news comes in addition to the fact that Stephen King just finished his prequel to The Shining, titled Doctor Sleep. The book centers around Danny as an adult and what's come of him after losing his father and leaving the hotel.

The Overlook hotel is currently in development by Warner Bros. But no clue as to when it'll be hitting the big screen. After parting ways with The Walking Dead, Glenn Mazzara is writing the script for the prequel. It's speculated that Glenn left The Walking Dead due to differences between he and The Walking Dead graphic novel creator Robert Kirkman.

I'm ready to find out what the story is with the old woman in the tub (who still scares the hell out of me), as well as the twins. I've read the book by Stephen King, but I doubt this'll be true to what happened in the book since Stanley Kubrick changed so much for the 1980 film. This is big shoes to fill for Warner Bros. and Glen Mazzara, so let's hope we can get a good movie out of this.
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